Wes Anderson Scene — Symmetrical Pastel World

Transform this photo into a WES ANDERSON FILM STILL.

**Scene shown**: [describe what's in the photo]

Wes Anderson visual language:
1. SYMMETRY: Dead-center, perfectly symmetrical composition. Everything balanced.
2. CAMERA: Flat, frontal framing — no Dutch angles, no dynamic perspective. Straight on.
3. ASPECT RATIO: Anamorphic widescreen (2.39:1) feel

Color palette (choose one Anderson palette):
- "Grand Budapest": pink, purple, burgundy, cream
- "Moonrise Kingdom": yellow, olive green, khaki, orange
- "Royal Tenenbaums": faded red, brown, cream, forest green
- "Life Aquatic": teal blue, red beanie, yellow, white

Production design elements:
- Clean, organized spaces — even clutter is artfully arranged
- Vintage/retro objects: rotary phone, typewriter, suitcase, globe
- Matching outfits or coordinated colors on all people
- Text elements: hand-painted signs, chapter titles, or labels on everything
- Wallpaper or painted walls in a pastel tone

Character direction:
- People face camera directly with neutral/deadpan expression
- Slightly melancholic but beautiful — the Anderson trademark
- Formal posing even in casual situations

Lighting: soft, even, slightly flat — like a perfectly lit dollhouse

Add a film grain and the faintest letterbox bars for the cinematic feel.

--ar 2.39:1